This is an excellent source of information, if you want to expand your mind with new musical notions and information this is the book for you. This study of the west African Maninka music conducted by the Chicago eth. is excellenty. I highly recommend it.

A couple of years back I was perusing the contents of production sampling CD's, hunting for African percussion sounds to write music with on my sampling keyboard. I kept coming across names for drums like "tatango", "sabar", "sabaro", "kutiriba", "kutirindingo", and so on. I wondered that the different names meant, and how are/were these instruments used together to generate music, either traditional-sounding or else a fusion of various elements/styles? And what did the drums look like, and how was each one crafted? (Oftentimes these made-for-producers' CD's are remarkably devoid of useful documentation.) I found all the answers I needed in this book, clearly delineated.

For starters, the Mande people and their close relatives inhabit a relatively large area of westernmost Africa, including much of Mali, Guinea, and Senegambia, as well as parts of the Ivory Coast, Sierra Leone, and to a lesser extent, other surrounding countries.

As regards this specific topic alluded to above - the farthest western branch of the Mande world mainly uses a three-drum ensemble of modified hourglass-shaped drums (waisted drums, shaped somewhat like a section of the symmetrical outline of a female torso as seen frontally or from behind). The ensemble is known collectively as "kutiro". The drums usually use peg-style tuning rather than the more familiar Malian weave tuning/suspension seen on djembe drums from further to the east.

Tatango and sabaro are synonyms for the kutiro ensemble. Sabaro is also the name of one of the three (different-sized) drums of the ensemble--kutiriba and kutirindingo are the others. By contrast, the "sabar" drums are further to the west, from the coastal Wolof tribe, a non-Mande people. There are 5-7 different-sized drums in the sabar/Wolof ensembles, most which look like the kutiros although one is barrel-shaped and still another is a small hourglass-shaped talking drum with an iguana skin drumhead.

'Mande Music' the book is filled with clearly delineated info such as this. It is comprehensive in scope, and very well organized. It's amazing that the author got access to such a wealth of information, then managed to write about it is so useful a manner.

He covers the historical and sociocultural dimensions of this music, then dives into categorical and individual discussions of the instruments, their tunings, distribution, and repertoire as well. Besides the numerous photographs and drawings, there is quite a number of useful maps [for instance, showing the distribution of the various types of harps and xylophones in West Africa, their names, tribes, and differing physical characteristics]. There are detailed charts showing tunings of the various instruments.

There are a number of transcriptions, which are sonically illustrated on the CD, which must be purchased separately. Be sure to check out the extensive appendices, as well as the 4-page glossary of African terms used in the text, and there is an index of people and another of subject/topic.

Especially amazing are the 28-page bibliography and 24-page discography/videography (all in fine print). The discography/videography is organized according to country.

Excellent! Eric's work is unparalleled. In a time when our world is getting a little smaller, Eric gives us the information in a clear and concise manner. Well done!

A young anthropologist is confronted with a quagmire ethical and moral ambiguity as ideals and unconscious assumptions meet the reality of living within a human community. Witch trials and a smallpox epidemic provide a dramatic context for problems familiar to anyone living among strangers, whether in the next town or the next continent. Along the way, Return to Laughter also serves as an engaging, impressionistic, ethnography. In fact, I'm amazed at how many different layers of book Smith Bowen has squeezed into such a quick read.

I read this for a cultural anthropology class last year, 2000. My class had more than 350 students in it and I don't know of anyone who didn't enjoy it. It's not a gripping novel, it's just an excellent source for seeing how an anthropologist works, understanding other cultures, and drawing conclusions about life and the world around you. It is a definite read if you're interested in anthropology or ever thought, "Anthropology? What the heck is that?" This book will tell you all and more. Get it!!

I first read this book as part of an anthropology course in 1969. Since then I have read it at least once each year. Its insights into human nature and the commonalities found in all cultures are exceptional. It is easy to read and a joy to come back to again and again.

Those who know Mary Kingsley probably never thought there would be a children's book about her, but why not? Her classic "Travels in West Africa" is still in print after over 100 years, and deservedly so (please see my review). This is a fine book for children, especially because its true-life Victorian heroine did something that most modern people wouldn't do, i.e., she traveled, on her own, though mostly unexplored Africa (Gabon to be precise), and afterwards became a very popular writer and speaker. Hopefully children who read this will someday go on to read Kingsley in her own words. [One small note: terminology has changed a bit, by "West Africa" Kingsley refers to what we would today call the Atlantic coast region of Central Africa.]

In 1892, at the age of thirty, Mary Kingsley's parents died, and for the first time in her life Mary was free to do whatever she wanted. Her childhood had been bleak and solitary. She was completely housebound. Mary never went to school or played with other children. Her father traveled all over the world and was rarely home, and she spent all her time keeping house and nursing her sick and bedridden mother. But this spirited girl made a life for herself in her father's library. "Books were her companions and teachers." So, after her parent's death, and inspired by the travel and adventure books she loved, Mary did what was considered unthinkable for a proper lady of Victorian England, she set off alone to visit mysterious and dangerous West Africa..... Don Brown has chronicled the life and wonderful adventures of Mary Kingsley in his introductory picture-book biography. His straightforward and engaging text is full of history, drama, humor, and Mary's own words, and complemented by charming, evocative watercolor artwork. Together word and art tell a fascinating and entertaining story of a remarkable and clever woman who took charge of her life and never looked back. Mr Brown includes an author's note at the end to enhance and complete the story, and a bibliography of additional books about Ms Kingsley and her amazing African excursions. Perfect for youngsters 5-9, Uncommon Traveler is a simple, yet spellbinding masterpiece you don't want to miss.

Don Brown, author and illustrator of "Uncommon Traveler," excels at the non-fiction picture book. In his newest, he's told and illustrated the tale of Mary Kingsley, a single woman who traveled Africa alone in the late 18OO's. He makes good use of lively quotes from her journals, and keeps the tale to just the liveliest parts--Mary swimming with hippos, canoing with crocodiles, and falling into animal traps. He also lets kids know about her lonely childhood, how she took care of her invalid mother, and of her freedom at 30 from family responsibilities--the time when her adventures began. This book is good for everyone, but would be particularly useful for teachers and libraries, interested in sharing non-fiction stories about adventurous girls. The art in the book is distinctive and the prose style clean and lively. I also enjoyed Don Brown's"Rare Treasure: Mary Anning and Her Remarkable Discoveries," about a girl-fossil hunter, one of the best fossil-hunters ever.

You may recall Adam Hochschild's book of a couple years ago where he intimated that KING LEOPOLD'S GHOST remains a malevolent force guiding the carnage that is taking place in the present day Democratic Republic of the Congo (DRC). Well here's one for the Congolese. Forty years after his assassination Patrice Lumumba remains a haunting presence, forever reminding Belgium of its past misdeeds in Africa. Broader still his death bears testimomy to the fact that so much of what Europe and our government talks about as human rights concerns is self-serving and empty rhetoric.

Enough with the anger though as I don't want to go overboard and see it in the stark ideological terms as the author does when he says that what happened in the Congo in 1960 is a "staggering example of what the Western ruling classes are capable of when their vital interests are threatened." That is too trite an answer for the circumstances surrounding Lumumba's assassination and way too simple an analysis of the complex situation in the Congo at the time of independence.

THE ASSASSINATION OF LUMUMBA looks at a tiny fraction of Congo's history. The book is almost entirely confined to the period from June 30th, 1960 (when the country became independent from Belgium) to January 17th, 1961, when Lumumba and two of his former ministers of government were executed in the breakaway province of Katanga. During that period the country went through crisis, with Belgium, France, the US, the USSR and the UN all wanting to have a say. There were at least three substantive leaders of the Congolese: Lumumba as prime minister, Joseph Kasavubu the president, and the usurper Joseph Mobuto (who after all was said and done emerged in 1965 as the dictator Mobuto Sese Seko). Throw into the mix a mutinying army, a secession in Katanga province and rebellions in two other provinces.

In investigating these events Belgian sociologist Ludo DeWitte focused his research on recently declassified Belgian documents. His thesis is that the conventional wisdom that Lumumba's death was "a Bantu affair" - as his countrymen called it - was all wrong. He argues that Belgium was instrumental in setting up, participating in, and covering up Lumumbas death. This book caused such a stir in Belgium that the government opened a parliamentiary enquiry to investigate the facts and the foreign minister promised that if proven true, an official apology would be offered.

Subsequent to the publishing of this book the commission released its findings. It said "certain members of the Belgian government and other Belgian figures have a moral responsibility in the circumstances which led to the death of Lumumba." Will the man's spirit be able to rest in peace with this? De Witte's specific point that an order for Lumumba's "definite elimination" came out of the offices of Count d'Aspremont-Lynden's Department of African Affairs, however still remains unproven. The Commission says plainly "in no document or witness account could it be found that the Belgian Government, or one of its members, gave the orders to physically eliminate Lumumba." If this means that there is still no resolution to this issue, we can nevertheless rest assured that in the words of Lumumba's last letter to his wife "the day will come when history will have its say."

"Assassination is the extreme form of censorship" (George Bernard Shaw)

This book is certainly well written to the extent that it is a historical account of the early life of independent Congo up until the assasination of the first premier. It has taken over three deacades for such a foreceful and convincing counterfactual case to emerge, but it is just proof that "No lie(s) can live forever". The author has done well on this score.

The connivance of a whole set of opportunists in the Congo and some players in the international arena would be shocking for a person otherwise unfamiliar with this period. This book is proof that Lumumba's life could have been saved but it was not politically expedient to do so. Most of all, the author has led to the questioning of the assumption that the U.N. is an enduring friend of developing countries.

The author deserves unqualified credit for painstakingly seeking the facts through which to support the central thesis that the assassination was planned even if not very neatly executed.While the author's work is certainly not the last word on this issue, it has helped to put to death the lies that were advanced in the period following the assassination. Compared to other publications on the subject, I consider this a definitive text and perhaps an indispensable book in the history section of all college and public libraries.

The author is genuinely moved to expose the great injustice that was perpetrated against Lumumba, Mpolo and Okito and by extension to the Congolese people. It is not difficult to understand how the series of events led to the increased militarisation of Congolese politics. Belgium and its monarchy owes the Congolese people an apology.

While Mr. De Witte appears to me as an admirer of Lumumba, he balances his admiration by stating the fact that Premier Lumumba had not sufficiently consolidated his polictical power and neither had he developed a coherent economic and political programme that could have frustrated the conspiracy. In essence, Africa's first generation of leaders relied heavily on charisma without the political organisation that was desperately needed. I think that this point is still valid.

While the book is a good read, (I went through it twice), I think that the author could have been carried away by his enthusiasm in the concluding portion. He set out to investigate and set the facts about the assassination but was concluding with a political sermon on the class factor and a slight leftist bent. This could have been relevant if he sought to explain Lumumba's political philosophy. In the absense of this, I asked myself, "Why is Ludo going this far?"

I would recommend this book to anyone with an open (not empty) mind. A good read and a classic. In the meantime, we hope that Lumumba's last prayer may come true soon.

...Five stars for the incredible amount of research that went into the writing of this book.. It is a book that was necessary and long overdue. For the first time we have clear proof of all the players, what they did and when they did it. Lumumba was assassinated by Tshombe?s police, with the help of Belgian officials. They can not any longer deny it.

De Witte depicts Lumumba as a fierce nationalist but denies that he was left-leaning. That claim may have to be investigated further. Lumumba did have strong connections to Russia and surely there is a reason why the university in Moscow for foreign students is named "Lumumba University". There is no doubt, though, that he presented himself as a socialist.

The author repeatedly mentions that Lumumba's rise to the presidency of the Congo was the story of a death foretold. Western governments repeatedly sais that Lumumba had to be "eliminated". But the interpretation was left open: did they mean "physically" or "politically"? It is interesting to note that it took them almost seven months to kill him. An assassin hired by the Belgians was called back. The CIA delivered a box of poison that was never used. Why this delay, when an invented illness would have been faster and politically more acceptable?

De Wittte also claims that Lumumba had to fail with his government because he lacked a functioning army and police force to back him up. What he never examines, unfortunately, is the fact that Belgium withdrew its administrative apparatus upon independence. And they had never trained any natives to be administrators. On July 1, 1960, The Congo had only a handful native lawyers, physicians, or even people with a higher education. Under those conditions you cannot run a country (you have to know where the telephones are).

Because of this book, Belgium officially apologized to the Congo ... Mr. de Witte could hardly wish for a better acknowledgement of his work.

While this book offers up a narrowly focused tale on Sierra Leone's civil war, Tuen Voeten's strained efforts to sound hip in the telling make this book one worth reading only if you're looking to see events from a different angle. Voeten's flagrent use of swear words (I wouldn't care about them if they added to the story) throughout the book seem to be an effort to sound like a cowboy on assingment instead of a professional journalist. Overall Voeten provides an easy to follow narrative about his experiences, but essentially no background on the events in Sierra Leone during the period of his times there.

For people from Sierra Leone, this book verifies the stories and rumors that they have been hearing over the years. The excellent pictures speak for themselves. References are there so that the reader may continue to read more about the devastation of a people from a peaceful country. For those who don't know about the tragedy going on in West Africa, this book tells all.

I recently visited the places Voeten speaks about in this book. He tells the truth about a beautiful people and a tragic land.

This book teaches you the basics of Djembe drumming. The book includes a great sounding CD to play along with. However; the authors should have included more complex patterns and rhythms. But, with only 1-2 hours per day of practice for a month, you will probably surprise yourself with how much you have improved.

In general, this book/CD combination is great. The text of the book is clear, the authors' approach in starting with simple patterns and then adding to / subtracting from the simple pattern to arrive at the traditional pattern is very effective. The authors' present the material clearly and succinctly, and is paced very well. This book is a good resource for getting started on the djembe.

There is only one thing that keeps me from giving this book/CD five stars.

A previous reviewer says the CD allows you to hear what the "whole rhythm" is like, which isn't entirely true. The book doesn't address bell and djun-djun (bass drum) parts at all, and these parts are not present on the CD. These rhythms are incomplete with just the djembe parts. The book/CD never gives the student a complete view of what the African rhythms, as played by a proper ensemble, should sound like. I don't fault them for not teaching these parts, as this is a book about playing djembe, but much of the rhythm context is missing.

With the excess space on the CD, the removal of the sample tracks from the "Jaguar..." album, and a bit of creative work, the authors should have been able to give the listener a taste of what the full rhythms sound like, even if only for a couple minutes each.

I still recommend this book to the beginner, but recommend that the beginner seek another source as well that better emphasizes the whole of the rhythms.

I have the Conga Book by the same authors and have been pleased with both. Their system of notation makes learning rhythms easy, and their helpful hints and comments enhance the learning experience.

The CD is what truly makes this book 5 stars. It has a multitrack feature. You can adjust the balance on your stereo to hear one drum part at a time. I like to play one part while my stereo plays another. In addition, the tracks go for about five minutes so you can really get into the rhythm, build stamina, and maybe practice soloing!

Happy drumming!

The Individual who has read AFRICA AND AFRICANS IN THE MAKING OF THE ATLANTIC WORLD, 1400-1800 by John Thornton & THE SLAVE TRADE: The Story of the Atlantic Slave Trade: 1440-1870 by Hugh Thomas will likely find THE DILIGENT: A Voyage Through the Worlds of the Slave Trade to be a welcome addition to their reading material while the individual for whom this is a introduction to the subject will likely find the work both stimulating and informative.

Nominally, THE DILIGENT is a history of the 1731 -32 journey of the slave ship THE DILIGENT from the Ile aux Moines near the port of Vannes, in Brittany, France to the Guinea Coast, then to Martinique and back to Vannes. It is, however, much more than that. The reader is treated to a rather informative economic and social history (especially as it relates to the slave trade) of France at the beginning of the 18th century, including the "reforms" of John Law. It is also a brief history of the involvement of the European powers with the native peoples of the Gold Coast, a much more detailed history of Whydah and Dahomey (for the slightly gory origin of the name see Harold Courlander's A TREASURY OF AFRICAN FOLKLORE) and the effects of the slave traders on those States, a brief history of the status and struggles of free blacks under mulatto control in Principe and Sao Tome (focusing on the life of the black Archdeacon Pinto during this period), a study of daily life for both crew and human cargo on a slave ship - especially during the arduous Middle Passage, and a brief look at the struggles and dangers facing slaves and, to a lesser degree, coca and coffee growers in Martinique. The work finishes off by examining the questionable benefits of the various parties (including the financiers, suppliers and the officers of the ship) from the slaving voyage.

This is an excellent work (aside from a couple editing errors which aren't worth mentioning but, going by reviews written elsewhere, may be greatly exaggerated by some future detractor of the work) and should be read by any serious student of slave trade.

Robert Harms took on a wide-ranging, difficult task in writing "The Diligent, A Voyage Through the Worlds of the Slave Trade". He writes in great detail of the journey of the French ship on its only slave trading voyage from the coast of Brittany to Martinique in the New World. Relying of the shipboard journals of Robert Durand, a young First Lieutenant, Harms gives us an account of the political, economic, and social worlds of the European empires, of the African societies, and the new plantations of the Americas. We read brutal accounts of pirate ships, of crew mutinies, of slave uprisings aboard ships.

Profit was the motive, of course, and when the Diligent returned home to Vannes, a smallish French city with a rising merchant class, the ship owners, the Billy brothers, sued the captain, Pierre Mary, for cheating them on the profits of the voyage. Bad luck, weather, illness, and mismanagement no doubt all played a role in the low profits of the first voyage. The Diligent never made another slave-run into the West Indies.

Written in fairly dry, fairly academic prose, this book will not be a best-seller, but you will find it profitable reading of those harsh times and places not so distantly removed from our own.

I think the author did an excellent job of blending together the experiences of one slave-trading ship, the environmeent it fit within, and the way slaves were treated, with somewhat less emphasis on the latter. The author did a great job of detailing the motives of those involved in the trade, which helped a lot to put me there, rather than feeling like I was just observing events from a distance.

Yvonne has brought out the magic of travel thrills and perils, especially when travelling in Africa, matter-of-factly. The personal travelogue is never boring egging you to finish the book. Yvonne's determination in the face of many odds she faces in Ghana and Nigeria while travelling to towns and cities across the borders is remarkably brought out....An interesting read.

Finding a book that draws you into the author's experience within the first few pages is always a pleasure to read. Into Africa is such a book. Blackwood is able to tell her story and make the reader cheer her on to the best possible outcome. Very well written. A feel good book.

Yvonne Blackwood has captured the power to dream. Her dream of visiting Africa has been beautifully translated into her book. I became swept away in this sweet and evocative desire to read every last bit of her journey. The sounds, the tastes and images flowed through my mind during my 'escape' into Africa. Every sense of fear, delight and passion was with me as if I was there...Reading this book will give you every reason to pursue your dreams, no matter what they are.....

A good book about the end of the Asante Empire. Edgerton tells the end of this empire from both the British and Asante perspectives. The Asantes were a militaristic society who preyed on the weaker societies around them, notably the Fante. The British desired trade and gold, and the conflict was inevitable when the Asante sent armies to conquer the Fante. This brought the British into conflict.
The author takes too much of a nativist perspective in his depiction of the Asante Empire. This empire gloried in slaves and human sacrifices. It had a great military tradition, but why would a author try to paint a positive view of a society that sought entertainment value in the putting to death of slaves. The British may have been interested in conquest and colonization of this land for trade and gold reasons. They may have been rascist, but the Asante were a brutal society. The expiration of this empire was perhaps not such a tragedy after all. The British brought Ghana and the Asante into the modern world.

For centuries the Ghana nee the Gold Coast nee the Ashanti kingdom has been a major producer of gold. The 16th century arrival of European powers on the West African coast opened up vast new trading opportunities. The Europeans tried to push inland to locate the source of the gold, while the Ashantis tried to subjugate the coastal dwelling Fantes who intermediated the trade between the seafaring Europeans and the Ashanti and other inland groups.

This book describes the 100 years on-again off-again war between the British (and their Fante allies) and the Ashanti (supported by the Dutch). The author is an anthropologist and his intepretation of events emphasizes the cross-cultural incomprehension of two societies (Victorian Britain, and late Ashanti Empire) which in some ways were remarkably similar: aristocratic, hierarchical, chauvinistic, imperialistic, militaristic. Some of the stories are fascinating as in the depressing case of the British kidnapping and torture of an Ashanti peace emissary which predictably leads to Ashanti mobilization and the seige of the British castle at Cape Coast. Or the fact that it takes 70 years for the British to figure out that desertions by the Fante were less motivated by cowardice than the fact that the British were forcing their Fante porters to do culturally innappropriate "women's work." Nevertheless, the author clearly likes both the British and the Ashanti, so he makes constant references to the "cowardly" "perfidious" etc. Fante. What the Ashanti could not do, malaria and dysentary did (they don't call West Africa "White Man's Grave" for nothing) and in the end, the British need howitzers and Yoruba troops brought in from Nigeria to capture the Ashanti capital of Kumasi. The final armed resistance to the British is led by an old woman named Yaa Asantewaa who after her capture died in exile in the Seychelles.

The Ashantis never really made their peace with the British and this history has relevance for contemporary Ghana as manifested by the underrepresentation of the Ashanti in the politically influential armed forces, relative to other ethnic groups.

This is a great book, epically for a novice in African history. While American are taught about the different European civilizations we are thoroughly ignorant about similar African civilizations. The Asante Empire was long established in Western Africa (present Ghana) and had an advanced civilization. They had a well organized army, with at the time of the first conflict with Britain, were armed with modern muskets. They had a well organized government and religion.

The conflict with the British was far from a cake walk for the British. The Asante fought bravely for their freedom and gave the British everything that they could handle. The British were not able to subdue the Asante until the progress in arms technology made the Asante armaments obsolete and gave the British a huge advantage. Eventually it was British howitzers vs. Asante muskets.

Indeed, this book ("Lonely Planet West Africa") did a good job in outlining many of the popular tourist attractions that are located in this Sub-Saharan region of Africa. I also appreciated its details on several tourists' trails, accomodations, means of transportation, and so on. However, I was very disappointed to note that (just like the "Lonely Planet Africa on a Shoestring") this book is full of discouraging comments. Some of the phrases Lonely Planet used in this book are quite offensive.
For sure, most foreigners who travel to (West) African countries are not expecting to see a paradise, but that does not mean that there is no better way of presenting real and imaginary negative thoughts. This book is smeared by terms and phrases, which I consider derogatory to both (West) Africa and (West) Africans. As a result of this, I will never recommend it to anyone until there is a change of heart by Lonely Planet in subsequent editions.

I once said I would never buy a Lonely Planet guide again, so disappointed I was with their Iceland and Greenland book which was poorly researched, inaccurate and full of rabid anti-American rhetoric.

For my trip to Ghana, it was, however, a choice of only three books available: a semiprofessional Bradt's Ghana (not a guidebook really, more an amateurish newsletter), supremely boring Rough Guide or Lonely Planet. I bought them all in the name of research.

I would say Lonely Planet is best of them all, although certain chapters preaching about evil ways of Western capitalism still reek of Lonely Planet's self-appointed role of bettering the world. Quite annoying, really, and in many cases hypocritical, coming from a lean-and-mean profit-making publishing house.

Most facts about travel, eating, accommodation, etc are accurate and well-researched, although as usual information to someone with a bit bigger budget is very fragmented.

They could give more information about useful websites for both ticket booking and accommodation.

Overall, if you are only buying one book for West Africa, this is the one. If you can get two - buy the Rough Guide as well: it may be boring and cultural information reads as if it was written by your local tax office, but you will get many additional addresses and phone numbers.

I really enjoyed this book. I feel it is the best written LP I've ever read (and I've read and traveled with many LP titles). I used the Sénégal section and found the hotel listings current and the maps very accurate. I really liked the special boxes with additional information on dangers, scams, and personal safety. I personally witnessed many things that I had read about in this book, making me ready for would be scam artists. One guy approached me and said "Remember me from the hotel lobby?" I had to keep myself from laughing. I replied back "I think so, which hotel?" and he didn't know what to say. With LP West Africa you will be well prepared to travel in one of the hardest places to travel in the world.

NOTE: The book is 4 years old and the region is even more unsafe now then it was 4 years ago. Be careful when traveling there.